All Palm Mounts
Every mount and its location in one table.
Palm Mounts
The Mount of Moon, also called Luna, is the mound at the base of the palm on the little-finger side, opposite the thumb. Traditional palmistry reads it as imagination, receptiveness and an attraction to travel or water. It sits opposite Venus, and traditional readings often compare the two.
On the outer edge of the palm toward the wrist, opposite the Mount of Venus at the thumb base. It is often the second most prominent mound on the hand.
| Variation | Traditional reading |
|---|---|
| Full and rounded | Read as a strong imagination and responsiveness to atmosphere. |
| Flat | Read as a preference for the concrete over the speculative. |
| Very prominent | Traditionally read as a caution about escapism rather than as creativity. |
| Marked with horizontal lines | Traditionally called travel lines and read as journeys or a pull toward moving. |
| Crossed by the head line ending here | Traditionally read as thinking that runs on imagination. |
The travel lines on this mount cannot indicate journeys taken or planned, despite being widely presented that way. Nothing on a hand records where someone has been or will go. The imagination reading is a broad description that fits most people, which is part of why it lands.
It is the mound at the base of the palm on the little-finger side, sitting opposite the Mount of Venus at the base of the thumb and above the wrist. It is often the second most prominent mound on the hand after Venus. The two are frequently compared in traditional readings, since they sit at opposite corners of the palm.
Traditional palmistry reads it as strong imagination and responsiveness to atmosphere, with some sources connecting it to an attraction toward water or travel. Classical texts add a caution that a very prominent Luna can suggest escapism, which is a useful counterweight to the more flattering modern versions of the reading.
They are horizontal lines running in from the outer edge of the mount, traditionally read as journeys taken or a pull toward moving. They cannot indicate travel. Nothing in a hand crease records where someone has been or is going, and the reading persists mainly because it is pleasant and easy to make sound specific.
It is traditionally read as a preference for the concrete over the speculative, and a tendency to work from what is in front of you rather than from possibility. Classical palmistry presents this neutrally. As with all the mounts, prominence reflects hand structure rather than temperament, so the description is symbolic in both directions.
Traditional palmistry treats them as a pair sitting at opposite corners of the palm: Venus for warmth and physical vitality, Luna for imagination and receptiveness. A reader might compare which is more developed and describe the balance between the two. It is one of the more coherent ideas in the tradition, and still a symbolic one.
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